«Between the manipulators and the manipulated, the border is particularly thin. The puppets and the actors regularly interact and we will even see the former taking the latter’s place for a sequence where we don’t know anymore who is who (…). Jean-Michel d’ Hoop’s direction proves to be very convincing with a remarkable use of the puppets by a team in great form. »
Le Soir, J-M Wynants

«We enjoy this company of “grimy” puppets, with splendid expressionist faces in the style of Otto Dix, created by Natacha Belova. Impressive! All the more so since the actors slip in them physically – but not completely -, blending without a sour note the master-slave interaction. The result is impressive. The ‘live’ music by Pierre Jacqmin creates rhythm and musical colours. In short, this “Ventriloquists’ School” is a daring show, full of unforgettable moments. »
La Libre Belgique, Nurten Aka

«A fantastic show, which goes from laughter to existential questions, and where the acting quality of the actors is outshone by that of the puppets! »
Arrêt sur info (Internet), P.F.

“A fantastic show! A dreamlike tale! Never seen something like that! A mixture of fiction and reality! A rhythmic and fierce text! It’s Pre-Tim Burton! Farcical! Seven talented actors and their ventriloquisms.»
Cinémaniacs, Roger Simons